Un Coup de DÃÆ'Â © s Jamais N'Abolira Le Hasard ( A Throw of the Dice will not be Abolish Chance ) is an artist's book by Marcel Broodthaers published November 1969 in Antwerp. This work is a close copy of the first edition of the French poetry poem StÃÆ' Â © phane MallarmÃÆ'Â © poetry of the same name, published in 1914, but with all words removed, replaced by black lines directly related to the typography layout. used by MallarmÃÆ'Â © to articulate texts.
Broodthaers reduces the Unity Coup de DÃ © Â © s into his structure - or in other words, he lifts the structure of work to a concept worthy of study in himself, thus admitting MallarmÃÆ' Â © himself Fetishistic attention to this aspect of his work. Rendering of concrete structures, visible, almost tactile, Broodthaers offers conceptual analysis of Mallarm's poetry © © along a distance of almost a century... It would be difficult to imagine a more subtle treatment of MallarmÃÆ'Â © Â ©, or another one capable of demonstrating its essential properties , rather than the book reworked by these Broodthaers. - Johanna Drucker
Often included in the exhibition tracing the history of the artist's book, this work is seen as a prime example of post-avant-garde Europe. This is often referred to simply as Un Coup de DÃÆ'Â © s .
Video Un Coup de Dés Jamais N'Abolira Le Hasard (Broodthaers)
Puisi Beton
MallarmÃÆ' © dan Magritte
The villain had lived in poverty as a poet in Brussels for twenty years before becoming an artist in 1964. His first exhibition, in Galere Saint-Laurent, included two unsold parcels from his fourth poetry book, Pense-BÃÆ'ªte Un Coup de DÃÆ'Â © s will be the most famous example of Broodthaers interest in preparing a contradiction between the written word and the visual image 'with the profit of the subject.'
The looter had been given a copy of MallarmÃÆ'Â Â € Un Coup de DÃ © Â © s in 1945 by the Belgian surrealist painter RÃÆ' Â © nÃÆ' Â © Magritte as "a way of explaining his art to a young admirer without explaining it literally. '
As for the idea of ​​establishing a direct link between literature and plastic arts, I'm afraid I've done it by taking as the subject of A Throw Of The Dice, by MallarmÃÆ'Â © Ã, !!! - Broodthaers
MallarmÃÆ'Â © Â © has written poetry in 1897 and left a lot of notes on how it should be typed, an instruction that was finally done 16 years after his death, in 1914. The poem is famous for its remarkable typography, anticipating the interest of the 20th century. in graphic design and concrete poetry. MallarmÃÆ' Â © is known to have arranged the layout of a poem using a card rectangle, and left a written request to publish the work exactly as he intended. Thus, Broodthaers' work can be seen as a direct quote from MallarmÃÆ'® work methods and his obsession with the visual layout of texts.
MallarmÃÆ'Â Â © is the source of all contemporary art... unconsciously creating a modern space. - Broodthaers, 1970
Literary Exhibition
The exhibition of 'exhibit' Broodthaers Litté © in the Wide White Space Gallery, Antwerp, December 1969 consisted of a copy of MallarmÃÆ' 'opened book so, (because almost always when a book was put into the exhibit) only two pages that looks. The meaning is there but it can not be fully achieved. 'A series of metal plates, made of anodised aluminum, engraved with a black impression standing for the text, hung on the wall while Broodthaers recording read the poem was played continuously during the duration of the exhibition.
The word is "there", more "real", because it's three dimensions, than the original page but, of course, negative and unreadable. Meanwhile, the recording voice of the artist read the poem repeatedly, "there" but not simultaneously and constantly present like the words of poetry.
This book
After a brief introduction to the original edition published in 1914 by Librairie Gallimard, the book begins with all poems written as square blocks of text if Mallarme's type of poetry is 'plain' and italic if the type of Mallarme is italic. 12 double spreads follow, with a neat black form standing for the text. This work is gentle and feels quite substantial. The cover is an almost perfect facsimile from the original cover, but with the word 'image' replacing 'poetry' in the center of the design.
This edition was published in Antwerp to coincide with the exhibition on November 25, 1969. 10 copies of unattached works, numbered IX, printed onto 12 aluminum sheets - are available, together with 90 copies printed on translucent paper and 300 copies in general. The translucent edition comes with two white card pieces that are cut to the size of the book so that each page can be isolated by the readers if they wish.
Reception book
This book, like the works of Broodthaers in general, has grown gradually since his death in 1976, and has found its way into a number of important collections, including MOMA, V & amp; A, and the Royal Academy of Fine Arts Antwerpen. It has also inspired another rework, like this one by Michalis Pichler: "In Michalis Pichlers' 2008 reworked blocks were cut, creating negative spaces and geometric patterns of cutting and absence. (...) Remake and version ideas, using works others that exist as a departure point, eliminating the artist from the responsibility of originality while allowing new movements to stand as a new movement.Not originality, anti-expressive - this is a more recent term than the first generation conceptualization. "
References
- Un Coup de DÃÆ' Â © s Jamais n'Abolira Le Hasard, Broodthaers, 1969
- Marcel Broodthaers, Catalog des Livres, 1957-75, Galerie Michael Werner, KÃÆ'¶ln 1982
- Marcel Broodthaers, Tate Gallery, 1980
- Oxford Art Online, Essay on Broodthaers by Michael Compton
- Un Coup de DÃÆ' Â © s Jamais n'Abolira Le Hasard, Michalis Pichler, Berlin, 2008
- Ubuweb
Maps Un Coup de Dés Jamais N'Abolira Le Hasard (Broodthaers)
External links
- A Throw of the Dice , translated by Christopher Mulrooney
- A Throw of the Dice , translated by Basil Cleveland
- Vispoet discussion board
- the MOMA page on Un Coup De DÃÆ'Â © s
- A piece of the canceled Didot/Vollard edition of MallarmÃÆ'®'s Un Coup de DÃÆ' Â © s , including a photo of MallarmÃÆ'® calculations of typography.
- An e.book poem MallarmÃÆ'Â ©
- [2] contains a translation of Un coup de dà © s by Michael Maranda
- [3] contains three translations of Eric Zboya's "Un coup de dà ©  © s .
Note
Source of the article : Wikipedia
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